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He cutely stares through the glass and asks repeatedly, “Can I come in from the out now?”
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That leads her to initially mistrust Oh and lock him in a convenience store cooler. Oh, who eschews contractions when he speaks (a lot of “do nots” and “cannots”) in a supposedly amusing patois, is on the run after mistakenly alerting his race’s mortal enemy to the location of their new digs.īesides surviving on what looks like cans of Chef Boyardee, Tip is desperate to find her mother ( Jennifer Lopez ) who was whisked away to an unknown locale with the rest of humanity. Much of the plot is amazingly similar to “Lilo & Stitch”: Tip (voiced with verve by Rihanna), a pre-teen girl originally from Barbados who somehow evaded the intergalactic interlopers, encounters a socially awkward Boov named Oh ( Jim Parsons from TV’s “The Big Bang Theory”). I longed for relief from all the relentless joking, the antsy visuals overflowing with bubbles and the frantic pacing as the Boov overtake Earth and kick humans to the curb.
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After “ How to Train Your Dragon 2” lost to Disney’s “ Big Hero 6” at the Academy Awards and “ Penguins of Madagascar” underperformed last fall, the studio needed its lone offering this year to be a substantial leap forward instead of this obvious exercise in playing it safe. I kept thinking about “Lilo & Stitch” while watching “Home,” a decidedly disappointing effort based on the popular kid-lit book “The True Meaning of Smekday” from the already embattled folks at DreamWorks Animation. How the animation world has changed and not always for the better. And, despite being an underdog, the low-tech Oscar nominee for best animated feature ended up saying “aloha” to $271 million in ticket sales worldwide. Instead, the focus was on appealing characters, relatable relationships and delightful forays into Polynesian kitsch. Whatever sci-fi elements were involved were kept to a minimum. The charming oddity managed to capture the spirit of the islands by extolling the concept of “ohana,” which celebrates family and unity, while spinning Elvis Presley oldies on its soundtrack. It didn’t rely on a green ogre picking wax out of his trumpet ears or a squirrel-rat being continually tortured by the forces of nature.
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Somehow, this disarming story about a lonely orphaned Hawaiian girl whose best pal is an ill-tempered fugitive space creature that looks like a mutant koala bear and acts like John Belushi at an all-day buffet found its way into the hearts of moviegoers.